Sunday, 29 November 2015

Quathlamba
“A mass of Spears. Named thus by the Zulu warriors before the white man came. Today called the Drakensberg, Mountains of the Dragon, a name given by the Voortrekkers. Evocative names, both equally applicable to South Africa’s mightiest mountain range with its spear-like peaks – reminiscent of the saw-toothed spine of a gigantic dragon.”

Panorama April 1966




This blog is all about the Drakensberg Mountains and its Wilderness area, South Africa. I have lost my heart and soul to this area and every single time I hike these mountains, I stand in awe all over again at this magnificent beauty.

Listen to the streams as they gurgle from their cradles and you will hear the story of the mountains. You will hear fascinating tales if only you listen! Lie next to a stream and listen to the song of the mountains. The smiling faces of the flowers, dancing in the wind. Venture into the remote valleys or stand on a peak at sunrise or sunset, after snow has fallen, and you will hear a song that you will never forget - the Song of the High Mountain". (DA Dodds)

Hiking adventures, hiking gear reviews, day walks, accommodation, books, articles and photos, all related to these magnificent mountains will feature here.

Should you want to accompany me on a hike, or need some information or advice, please make contact with me. I hope you enjoy the articles.

Please visit the archive for some more interesting stories, photos and reviews.

Please note that all photos on this blog are copyright protected. If you would like to obtain
Photos please make contact with the author, Willem Pelser.





“Mountains are never
really conquered.
rather they are confronted and for a brief instant stood upon”
D BRISTOW





Canon PowerShot SX60 HS Review



   The Canon SX60 is the ideal camera to take with on long hiking trips. It is robust and lightweight enough to not add too much additional weight to carry. I carry the camera permanently around my neck and store it inside my backpack when the weather or the terrain turns nasty. Carrying it around my neck means it is always immediately available should there be a photo opportunity – which you have plenty of in the Drakensberg. It is a reliable no-nonsense camera ideally suited for hiking. A DSLR camera is simply too heavy to carry on extended hiking trips, never mind all the lenses and choosing which to bring with.

   Another amazing feature of this camera is that when I use it in eco-mode, I am able to take 650 pictures (450 claimed by the manufacturers) on a single fully charged battery! This is amazing and more than ideal for my extended solo hiking trips. The quality of the pictures is as good as the operator behind the camera.

   I have had a couple of slips and falls during my trips and the camera took it all in its stride. The Canon SX60 has become a trusted and needed companion on my hiking trips, more so because a great deal of my trip consists of taking photos.



Introduction

The new Canon PowerShot SX60 HS super-zoom camera has an astonishing 65x lens with a massive focal range of 21-1365mm. The Canon SX60 HS also offers a 16 megapixel back-illuminated CMOS sensor, 3 inch vari-angle LCD screen, electronic viewfinder, full manual controls, RAW format support, 6.4fps burst shooting, built-in wi-fi and NFC connectivity, and full 1080p HD movies. 

The SX60 HS is Canon’s latest and greatest addition to its PowerShot bridge camera line-up. It boasts a huge 65x optical zoom with a 35mm-equivalent focal range of 21-1365mm. It’s currently one of the biggest zoom range you can get from any bridge camera and trumps ultrazoom rivals like the 63x Sony Cyber-shot DSC-H400, 60x Nikon Coolpix P600 and 60x Panasonic Lumix DMC-FZ72. But the SX60 HS packs more than just a big lens. Its 16.1MP high-sensitivity CMOS sensor promises excellent image quality, especially as it’s paired with Canon’s high-end DIGIC 6 processor. This also enables up to 6.4fps continuous shooting and Full HD video capture with stereo sound. 

The camera isn’t short on features either, with a 922k-dot electronic viewfinder, flip-out LCD display and clever Zoom Framing Assist function. You also get built-in Wi-Fi with NFC pairing for easy image sharing and remote camera control, plus plenty of creative effects and filters.


Ease of Use

Externally the Canon PowerShot SX60 HS looks like most other high-end ultrazoom bridge cameras, which is to say it resembles a small DSLR. But considering it packs what’s currently one of the biggest zoom range in the business, the camera isn’t particularly large at 127.6 x 92.6 x 114.3mm, although its 650g ready-to-shoot weight is on the chubby side. This beefiness does translate into solid build quality though, with a rugged plastic casing that’s free from flex or squeaks, to the tactile rubber coating on the finger and thumb grips.






Front of the Canon PowerShot SX60 HS

Considering the SX60 HS is a feature-packed camera, its control layout is fairly simple and logical. Some buttons are more unusual though, like those positioned on the lens barrel. The upper button activates Canon’s Zoom Framing Assist function. When you’re zoomed in to the max, it only takes a tiny twitch of the camera to send a distant subject flying out of frame. Finding it again can be frustrating, but by pressing and holding the Zoom Framing Assist button, the camera automatically zooms out but leaves an outline of the original frame size on screen.

Position the outline around your subject, release the button and the camera automatically zooms back in. The lower button on the lens barrel then helps prevent you losing track of your subject again, as pressing it enhances the camera’s image stabilization to further iron out camera shake. The effect is minimal though, however the Zoom Framing Assist feature is handy and effective.






Rear of the Canon PowerShot SX60 HS

Move to the back panel and we find a couple more non-standard controls. Beneath the video record button is a control for selecting and locking the focus point, and further down sits the camera’s Wi-Fi link button. Initial set-up can be a faff, requiring you to manually connect to the camera’s wireless hotspot, but if you’ve got an NFC-equipped mobile device, you can make the connection by simply tapping it against the camera. However you connect though, Canon’s CameraWindow mobile device app lets you wirelessly transfer images to a smartphone, tablet or computer, as well as print to a PictBridge-compatible printer. The app also allows you to remotely control the camera, which although initially impresses with minimal lag, soon loses much appeal as you can’t remotely view or set an autofocus point.


Tilting LCD Screen

Above the Wi-Fi button sits the usual directional dial pad that doubles as controls for burst shooting, flash, macro focus and display options. The latter allows you to show histograms and other information overlays in playback mode, but it also switches between the LCD and electronic viewfinder when shooting. Alternatively you can activate the EVF by flipping the movable LCD screen into its closed position.  It’s a pity the camera doesn’t have an automatic eye-detection system to switch between the two though.

Thankfully the Canon PowerShot SX60 HS's LCD and EVF themselves are both good quality and easy to use. Unfortunately the 922k-dot LCD screen isn’t touch-sensitive, but it does have great viewing angles which translate to accurate color and contrast reproduction, regardless of your angle of view. The screen also benefits from being a fold-out unit, making it easy to compose high and low angle shots, as well as a good old selfie. Screen brightness is also high enough to be usable under direct sunlight, but if things get too bright, the electronic viewfinder is a useful alternative. Its 922k-dot resolution is crisp.







Top of the Canon PowerShot SX60 HS

On top of the Canon PowerShot SX60 HS sits a proper hot shoe mount, should you wish to connect a separate flashgun or remote flash triggering device. The camera’s built-in flash has to be manually opened by pulling it upward, rather than using a typical button release. Next to the flash there’s a useful customizable shortcut button which can be configured to operate one of various shooting options like white balance or exposure metering. It’s a shame this control is located directly alongside the power button though, as the two can be easily confused until you’re familiar with the camera.

You also get two dials on top of the SX60 HS. One is a control dial just like you’d find on a Canon DSLR, which makes it far easier to adjust common settings like exposure compensation than fiddling with buttons. The main mode dial sits behind this and provides instant selection of the camera’s auto, program auto, aperture and shutter priority modes, as well as a fully manual option.


Front of the Canon PowerShot SX60 HS

Another mode worth mentioning is Hybrid Auto, which automatically captures a couple of seconds of video with each still and compiles everything into a video digest of your day. The fun continues in Creative shot mode, where six separate images are captured with one press of the shutter release, each being automatically given a funky crop and filter according to one of five different styles. Then if you switch to the Creative Filters mode, a further eight individual filter effects can be applied as you shoot. With so many shooting options to choose from, remembering your preferred settings can be tricky, but thankfully the C1 and C2 modes allow you to save two custom setups for quick recall. The only mode that’s missing from the SX60 HS is an automatic panorama setting.

When it comes to shooting the Canon PowerShot SX60 HS, the camera will turn on and fire a shot in a spritely 1.8 seconds. Focusing in good light is almost instantaneous, but dimmer conditions slow things to a slightly sluggish 1.5 - 2 seconds. Zooming in to long focal lengths can also cause some focus hunting, and the system is sometimes unreliable in these situations, too. Exposure metering is absolutely dependable though and isn’t fazed by high-contrast scenes.





Side of the Canon PowerShot SX60 HS

Navigating the SX60 HS’ menu system is a doddle thanks to Canon’s tried and tested design and layout. Pressing the FUNC. SET button in the middle of the rear directional pad displays a menu overlay of commonly used shooting settings, though these do change according to which mode you’re in. There are also plenty of display preferences available during image playback, including RGB histograms.

Finally, the Canon PowerShot SX60 HS’s 340 shot battery life from its 920mAh rechargeable Li-ion battery is relatively good, narrowly beating the Nikon Coolpix P600 and Sony Cyber-shot DSC-H400. It’s not enough to pull ahead of the Panasonic Lumix DMC-FZ72’s impressive 400-shot lifespan, but by activating the SX60 HS’ Eco mode, the battery life can be eked out to around 450 (650 as tested and proven on my hiking trips) shots through subtle power-saving measures.
In short, a very good camera to have on hiking trips.





Canon Manufacturer Specifications


IMAGE SENSOR
Type
1/2.3 type back-illuminated CMOS
Effective Pixels
Approx. 16.1M¹
Effective / Total Pixels
Approx. 16.8M

Color Filter Type
Primary Color

IMAGE PROCESSOR
Type
DIGIC 6 with iSAPS technology

LENS
Focal Length
3.8 – 247.0 mm (35 mm equivalent: 21 – 1365 mm)

Zoom
Optical 65x
ZoomPlus 130x
Digital Approx. 4x (with Digital Tele-Converter approx. 1.6x or 2.0x¹).
Combined approx. 260x

Maximum f/number
f/3.4-f/6.5

Construction
15 elements in 11 groups (1 double sided aspherical lens and 3 UD lenses)

Image Stabilization
Yes (lens shift-type), approx. 3.5-stop¹. Intelligent IS with 5-axis Enhanced Dynamic IS

Ultrasonic Motor (USM)
Yes

FOCUSING
Type
TTL
AF System / Points
Face Detect, 1-point AF (any position, fixed to centre or Face Select and Track)
AF Modes
Single, Continuous, Servo AF/AE¹, Tracking AF
AF Point Selection
Manual selection using FlexiZone AF/AE, Size (Normal, Small)
AF Lock
Yes, via customizable buttons
AF Assist Beam
Yes
Manual Focus
Yes, plus MF Peaking
Focus Bracketing
Yes
Closest Focusing Distance
0 cm (W) from front of lens in Macro

EXPOSURE CONTROL
Metering modes
Evaluative (linked to Face Detection AF frame), Center-weighted average, Spot (centre or linked to Face Detection AF or FlexiZone AF frame)
AE Lock
Yes, via customizable buttons
Exposure Compensation
+/- 3 EV in 1/3 stop increments
Manual and automatic dynamic range correction
Automatic shadow correction
AEB
1/3 – 2 EV in 1/3 stop increments
ISO sensitivity
100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200
AUTO ISO: 100 - 3200 (possible to set Max. ISO speed and rate of change)

SHUTTER
Speed
1 – 1/2000 sec. (factory default)
15 – 1/2000 sec. (total range – varies by shooting mode)

WHITE BALANCE
Type
TTL
Settings
Auto (including Face Detection WB), Daylight, Shade, Cloudy, Tungsten, Fluorescent, Fluorescent H, Flash, Custom 1, Custom 2
Multi-area WB correction available in Smart Auto
White Balance Compensation
Type
sRGB

VIEWFINDER
Viewfinder
EVF (0.17 type), 4:3 aspect ratio, approx. 922,000 dots
Viewfinder / Coverage
Approx. 100%
Diopter Correction
Yes

LCD MONITOR
Monitor
Vari-angle 7.5 cm (3.0”) PureColor II VA (TFT), Approx. 922,000 dots
Coverage
Approx. 100%
Brightness
Adjustable to one of five levels. Quick-bright LCD

FLASH
Modes
Auto, Manual Flash On / Off, Slow Synchro
Slow Sync Speed
Yes.
Fastest speed:
1/2000 sec. (built-in flash)
1/250 sec. (external flash)
1/2000 sec. (external flash using high-speed synchro)
Red-Eye Reduction
Yes
Flash Exposure Compensation
+/- 2 EV in 1/3 stop increments. Face Detection FE, Safety FE, Smart Flash Exposure
Flash Exposure Lock
Yes, via customisable buttons
Manual Power Adjustment
3 levels with internal flash (up to 19 levels with external EX Speedlite 270EX II, 320EX and 430EX II. 22 levels with 580EX II, 600EX and 600EX-RT¹)
Second Curtain Synchronization
Yes
Built-in Flash Range
50 cm – 5.5 m (W) / 1.8 m – 3.0 m (T)
External Flash
E-TTL with EX Speedlite range¹

SHOOTING
Modes
Smart Auto (58 scenes detected), Program AE, Shutter priority AE, Aperture priority AE, Manual, Custom 1, Custom 2, Hybrid Auto, Creative Shot, Sports, SCN (Portrait, Smart Shutter (Smile, Wink Self-Timer, FaceSelf-Timer), Handheld Night Scene, Low Light (4.0MP), Snow, Fireworks), Creative Filters (High Dynamic Range, Fish-eye Effect, Miniature Effect, Toy Camera Effect, Soft Focus, Monochrome, Super Vivid, Poster Effect), Movie
Modes in Movie
Smart Auto (21 scenes detected), Standard, Program AE, Manual, Portrait, Miniature Effect, Monochrome, Super Vivid, Poster Effect, Snow, Fireworks, iFrame Movie, Super Slow Motion Movie
Photo Effects
My Colors (My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color)
Drive modes
Single, Auto Drive, Continuous, Continuous with AF, Self-Timer
Continuous Shooting
Approx. 6.4 shots/sec until memory card becomes full¹
with AF: Approx. 3.8 shots/sec²³
with Live View: Approx. 4.6 shots/sec²³
RECORDING PIXELS / COMPRESSION
Image Size
4:3 - (RAW, L) 4608 x 3456, (M1) 3264 x 2448, (M2) 2048 x 1536, (S) 640 x 480
16:9 - (RAW, L) 4608 x 2592, (M1) 3264 x 1832, (M2) 1920 x 1080, (S) 640 x 360
3:2 - (RAW, L) 4608 x 3072, (M1) 3264 x 2176, (M2) 2048 x 1368, (S) 640 x 424
1:1 - (RAW, L) 3456 x 3456, (M1) 2448 x 2448, (M2) 1536 x 1536, (S) 480 x 480
4:5 - (RAW, L) 2768 x 3456, (M1) 1952 x 2448, (M2) 1232 x 1536, (S) 384 x 480
Resize in playback (M2, S)
Compression
RAW, Superfine, Fine
Movies
(Full HD) 1920 x 1080, 60 fps / 30 fps
(HD) 1280 x 720, 30 fps
(L) 640 x 480, 30 fps
Super Slow Motion Movie (L) 640 x 480, 120 fps, (M) 320 x 240, 240 fps
Miniature Effect (HD, L) 6 fps, 3 fps, 1.5 fps
Hybrid Auto (HD) 30 fps
iFrame Movie (Full HD) 30 fps
Movie Length
(Full HD & HD) Up to 4 GB or 29 min. 59 sec.¹
(L and M) Up to 4 GB or 1 hour²
(Super Slow Motion Movie) Approx. 30 sec.
FILE TYPES
Still Image Type
JPEG compression (Exif 2.3 [Exif Print] compliant) / Design rule for Camera File system and DPOF ver. 1.1 compliant), RAW, RAW+JPEG
Movies
MP4 [Video: MPEG-4 AVC / H.264, Audio: MPEG-4 AAC-LC (stereo) recording level can be manually adjusted by user]
iFrame

DIRECT PRINT
Canon Printers
Canon SELPHY Compact Photo Printers and Canon Inkjet Printers supporting PictBridge
PictBridge
Yes (via USB or Wireless LAN)

OTHER FEATURES
GPS
GPS via mobile (linked to a compatible smartphone)
Red-Eye Correction
Yes, during shooting and playback
My Camera / My Menu
My Menu customization available
My Category
Image tagging feature
Intelligent Orientation Sensor
Yes
Histogram
Yes, live histogram
Playback zoom
Approx. 2x – 10x
Self-Timer
Approx. 2 or 10 sec., Custom

Menu Languages
English, German, French, Dutch, Danish, Finnish, Italian, Greek, Norwegian, Portuguese, Russian, Swedish, Spanish, Ukrainian, Polish, Czech, Hungarian, Turkish, Simplified Chinese, Chinese (traditional), Japanese, Korean, Thai, Arabic, Romanian, Farsi, Hindi, Malay, Indonesian, Vietnamese, Hebrew

INTERFACE
Computer
Hi-Speed USB (MTP, PTP) DIGITAL connector

Other
HDMI Mini Connector
A/V output (PAL/NTSC)
External microphone (3.5 mm Stereo mini jack)
Computer/Other
Wireless LAN (IEEE802.11b/g/n), (2.4 GHz only), with NFC support¹

MEMORY CARD
Type
SD, SDHC, SDXC (UHS Speed Class 1 compatible)

SUPPORTED OPERATING SYSTEM
PC & Macintosh
Windows 8 / 8.1 / 7 SP1
Mac OS X 10.8 / 10.9
For Wi-Fi connection to a PC:
Windows 8 / 8.1 / 7 SP1
Mac OS X 10.8.2 or later / 10.9

SOFTWARE
Browsing & Printing
ImageBrowser EX
Other
CameraWindow
PhotoStitch
Map Utility
Image Manipulation
Digital Photo Professional for RAW development

POWER SOURCE
Batteries
Rechargeable Li-ion Battery NB-10L (battery and charger supplied)
Battery life
Approx. 340 shots
Eco mode approx. 450 shots
Approx. 360 min. playback
A/C Power Supply
Optional, AC Adapter Kit ACK-DC80

ACCESSORIES
Cases / Straps
Soft Case DCC-850
PowerShot Neck Strap NS-100
PowerShot Accessory Organizer
Lenses
Lens Hood LH-DC90
Filter Adapter FA-DC67A (Compatible with Canon 67mm Filters: Circular Polarizing PL-C B, Protect Filter)
Flash
Canon Speedlite (including 270EX, 270EX II, 320EX, 430EX II, 580EX II, 600EX, 600EX-RT¹)
Speedlite Transmitter ST-E2, Speedlite bracket SB-E2, Off-Camera Shoe Cord OC-E3
Remote Controller / Switch
Remote Switch RS-60E3
Power Supply & Battery Chargers
AC Adapter Kit ACK-DC80, Battery Charger CB-2LCE

Other
Interface cable IFC-400PCU
Canon AV cable AVC-DC400ST
Canon HDMI Cable HTC-100

PHYSICAL SPECIFICATIONS
Operating Environment
0 – 40 °C, 10 – 90% humidity
Dimensions (WxHxD)
127.6 x 92.6 x 114.3 mm
Weight
Approx. 650 g (including battery and memory card)
Effective Pixels
¹ Image processing may cause a decrease in the number of pixels.
Zoom
¹ Depending on the image size selected.
Image Stabilization
¹ Values at maximum optical focal length. Cameras whose focal length exceeds 350 mm (35 mm equivalent) are measured at 350 mm.
AF Modes
¹ Some settings limit availability.
Manual Power Adjustment
¹ Not all functions of the flash are supported.
External Flash
¹ Not all functions of the flash are supported.
Continuous Shooting
¹ Sustained continuous shooting function requires compatible SDHC/SDXC UHS Speed Class 1 memory card, total number of frames captured varies depending on shooting subject.
² Under conditions where the flash does not fire.
³ Depending on memory card speed / capacity / compression setting.
Movie Length
¹ The following Speed Class memory cards are required for maximum record time: (HD) 1280 x 720 Speed Class 4 or above. (Full HD) 1920 x 1080 Speed Class 6 or above. (iFrame) 1280 x 720 Speed Class 6 or above.
² Depending on memory card speed / capacity / compression setting.
Computer/Other
¹ Wi-Fi use may be restricted in certain countries or regions. Wi-Fi support varies by device and region.
Flash
¹ Not all functions of the flash are supported.
• All data is based on Canon standard testing methods (according to CIPA Standards) except where indicated.




Safe Hiking.

The End.




           
Willem Pelser – The Mountain Man

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